Minimal 12 Months Warranty14 Day ReturnChecked By Professionals4.9 Customer Rating

Sigma 14-24mm f/2.8 DG DN Art - L Mount

Sigma 14-24mm f/2.8 DG DN Art L-Mount used โ€” ultra-wide zoom, constant f/2.8, stepping motor AF. Professionally inspected. Min. 12 months warranty.

Currently out of stock

Sigma 14-24mm f/2.8 DG DN Art - L MountOut of stock

Get notified when available

Leave your email address and we'll email you as soon as a Sigma 14-24mm f/2.8 DG DN Art - L Mount that matches your wishes comes in.

Unsubscribe anytime, with one click in the email.

Do you have a Sigma 14-24mm f/2.8 DG DN Art - L Mount?

We'd gladly buy yours. Request a no-obligation offer โ€” you'll receive a proposal within 2 to 3 working days.

Sell it to us
Min. 12-month warranty
Professionally inspected
14-day returns
Free shipping NL from โ‚ฌ100 ยท BE from โ‚ฌ250

About the Sigma 14-24mm f/2.8 DG DN Art - L Mount

The Sigma 14-24mm f/2.8 DG DN Art (L-Mount) is a full-frame ultra-wide zoom lens covering 14โ€“24mm at a constant f/2.8 aperture, built specifically for mirrorless cameras and driven by a stepping motor autofocus system.

Key Specifications

  • Focal length: 14โ€“24mm
  • Maximum aperture: f/2.8 constant across the zoom range
  • Lens type: Ultra wide-angle zoom
  • Autofocus: Yes โ€” stepping motor (AF motor optimised for mirrorless)
  • Mount: Mirrorless L-Mount (Leica, Panasonic Lumix S, Sigma fp)
  • Design series: Art โ€” Sigma's sharpness-first optical line
  • Build: Solid barrel with smooth focus and zoom rings, no creaks or play
  • Closest focus distance: Shorter than the older DSLR-era HSM version
  • Condition: Used / second-hand, individually inspected
  • Warranty: Minimum 12 months (exact period shown on variant listing)

What makes the Sigma 14-24mm f/2.8 DG DN Art special?

The DG DN suffix is the key detail here. This lens was designed from scratch for mirrorless โ€” it shares almost nothing with the older Sigma 14-24mm f/2.8 DG HSM Art that was built for DSLRs. The DN version is shorter (131mm vs 135mm for the HSM), and its stepping motor AF is tuned for the silent, precise focus behaviour that mirrorless shooters expect for video and live-view work.

Compared to the Panasonic Lumix S PRO 16-35mm f/4, the Sigma gives you two extra millimetres on the wide end and a full stop of extra light โ€” big advantages for astrophotography and low-light situations. It's also notably more affordable on the used market than the Leica Super-Vario-Elmarit-SL 14-24mm f/2.8 ASPH, which covers the same focal range with similar optical ambitions but at a very different price point. If you're shooting Panasonic S-series bodies and want the best native IBIS integration, the Lumix S PRO 16-35mm is worth considering โ€” but if you want the widest angle and the brightest aperture in the L-Mount system, the Sigma is the obvious pick.

The front element is bulbous, which means there's no standard screw-in filter thread โ€” a common trade-off on ultra-wide lenses of this type. If filtration matters to you, look at rear gel filter solutions or Lee/Kase adapter systems designed for this lens.

Who is the Sigma 14-24mm f/2.8 DG DN Art for?

Astrophotographers are probably the single biggest audience for this lens on the used market. A constant f/2.8 across 14โ€“24mm pulls in a serious amount of light, and the wide field of view captures large swathes of the Milky Way or night sky in a single frame. If you're shooting stars from a dark-sky location with a Lumix S5 or Sigma fp, this focal range is close to ideal.

Landscape photographers will appreciate the ability to exaggerate foreground elements while keeping a dramatic horizon in frame โ€” classic wide-angle storytelling. The build quality holds up in the field, and the smooth zoom ring makes deliberate compositional adjustments easy.

Street and architecture photographers using L-Mount bodies get a lens that's wide enough to work in tight urban spaces while the f/2.8 aperture keeps things usable in the low ambient light of alleyways and covered markets.

Vloggers and video shooters benefit from the stepping motor, which drives focus changes quietly and smoothly โ€” essential if your microphone is on-camera or you're pulling focus during a take. The wide field of view also makes handheld self-shooting more forgiving when you can't monitor framing closely.

Buying a used Sigma 14-24mm f/2.8 DG DN Art

At Camera-tweedehands.nl, every lens is hand-inspected for optical and mechanical condition before listing. Here's what we verify:

Front element condition: The bulbous front element is more exposed than recessed designs. We carefully examine it for edge chips or coating damage and document any findings in the inspection report.

Mechanical smoothness: We run the zoom and focus rings through their full range to confirm smooth, consistent operation with no gritty patches โ€” any sign of dust ingress or worn lubrication is noted.

AF performance: We test the stepping motor on a compatible L-Mount body, confirming clean focus lock in both single and continuous modes. On Panasonic Lumix S bodies, we also verify smooth video AF tracking.

Every pre-owned lens on this platform comes with a minimum 12 months warranty โ€” the exact period is shown on the variant listing. That warranty matters with a complex optical design like this, where internal element alignment is not something you want to diagnose yourself.

One practical note: because this lens has no front filter thread, there's less wear on threads compared to lenses that regularly have filters screwed on and off. That's actually a small advantage when buying second-hand โ€” one common cosmetic wear point simply doesn't exist here.

Frequently asked questions